HMS Soyuz

Black ArrowWhen I first started reading about space travel, as a child in the 1960s, it was “common knowledge” that Britain would be the third country to launch a human into orbit, after the Soviet Union and the United States. In hindsight, I guess this extrapolated from the fact that we were the third to explode an atom bomb (in 1952) and a hydrogen bomb (in 1957). But when it came to spaceflight, the British government just wasn’t in the same kind of rush it was with nuclear weapons.

We did manage to launch an unmanned satellite using purely indigenous technology – the Black Arrow rocket, which put the Prospero satellite into orbit in October 1971. But that wasn’t third, behind just the Soviets and the Americans – it was sixth, after the French, Japanese and Chinese as well. And it was a one-off – the next Black Arrow to come off the production line never left the ground. It’s on display in the Science Museum in London, as you can see in the above photograph (the picture shows just the upper stage and payload shroud – the latter being partially open, which is why the rocket looks slightly bent).

Several British-born astronauts have been into space, starting with Helen Sharman in 1991. But until very recently, they all did so with the blessing (and investment) of someone other than Her Majesty’s Government. It was only in December 2015 that the first truly British-sponsored astronaut – Major Tim Peake of the European Space Agency – made it into orbit. Of course, that doesn’t detract from the fact that Major Tim is a true British hero (or a true European hero, if the word “British” is too jingoistic these days). He’s even set to get a couple of mentions in my next book. I’ll provide more detail about it in a future blog post, but for the moment I’ll just say that it’s on a spaceflight-related subject, and it’s due to be published by Icon Books this summer.

As of last month, the Soyuz capsule that carried Tim Peake to and from the International Space Station is also on display in the Science Museum, on the same floor as the Black Arrow rocket. I went to see it yesterday, and a couple of views of it can be seen in the picture below. This wasn’t the first time I’d come face to face with a Soyuz re-entry module – I saw one at the Museum of Cosmonautics in Moscow in 1997. But I’d forgotten how tiny (and vaguely Victorian-looking) they are!

Tim Peake's Soyuz

As reviewed in Fortean Times

Pseudoscience review
The latest issue of Fortean Times (FT350, February 2017) contains David Clarke’s great review of my book Pseudoscience and Science Fiction. It’s the first time any of my books has been reviewed in that magazine – or in any printed, as opposed to online, media for that matter. But it was worth the wait – David describes the book as “excellent” and gives it a score of 9 out of 10. I’ve put a teaser of his review in the picture above, but you’ll have to buy the magazine to read the whole thing – or better still, just buy my book!

Actually it’s a big relief to see a good review in FT, as that’s pretty much the book’s target audience. In other words people who are fascinated by wacky ideas like UFOs, ESP and conspiracy theories, but with a sense of amused detachment rather than a passionately pro- or anti- attitude – seeing them as popular entertainment on a par with science fiction. I’ve been reading FT on a regular basis since 1993, and I’ve still got every issue I’ve ever bought. That huge collection may take up a lot of space, but it was invaluable when I was researching this book – Fortean Times is mentioned no fewer than 55 times in its 180 pages!

Two of the regular features in this current issue focus on subjects covered in my book. David Hambling’s excellent science column on page 16 has all the latest news about the EmDrive – an alleged “reactionless” propulsion device which I discussed in Chapter 6: Space Drives and Anti-gravity. Whether it proves to be pseudoscience or real science (hopefully the latter), the EmDrive certainly follows in the footsteps of countless science-fictional space drives.

Then on pages 52 to 53, the “Building a Fortean Library” feature focuses on the Shaver Mystery of the 1940s, with its mind-controlling subterranean super-beings. I covered that in some depth in Chapter 3: High-Tech Paranoia – along with such topics as shapeshifting reptilians and the strange world of Philip K. Dick.

Photographing the Moon

Closeup of Vallis Alpes region

About six months ago I got interested in photographing the Moon, and I’ve been posting some of the results on Facebook. Mostly I’ve used a simple telescope webcam, which can produce high-resolution images of relatively localized areas such as the one above (showing the lunar north pole at the top and the Alpine Valley at the bottom, with the craters Aristoteles and Eudoxus to the east of it). Then a few days ago I posted a wider field of view using a DSLR on the same telescope, and Rhodri Evans asked how that compared with using the DSLR with its own lens.

That prompted me to try a few tests last night (with the Moon at first quarter). For anyone who may have just stumbled across this blog, I should stress that I know almost nothing about astrophotography, so please don’t take this as “best practice” advice. On the other hand, it does give an idea what a beginner can achieve with bottom-of-the-market equipment (I’ll give details of the hardware and software at the end of the post).

To start with, here is a picture of the Moon taken through the 75-300 mm lens that came with the camera. This uses the highest zoom (300 mm) at f/16, 1/250 second exposure, ISO-800 (settings visually optimized using Live View). It’s the sort of picture anyone with a DSLR could take.

Moon with DSLR

Now here’s a single frame taken with the same camera attached to the telescope (i.e. effectively using the telescope as a long telephoto lens). My telescope has a focal length of 600 mm, but I used a 2x Barlow lens as well, which doubled the focal length to 1200 mm (i.e. four times the camera’s own lens). The telescope aperture is 120 mm, which I guess makes it f/10, and again I used a 1/250 exposure and ISO-800.

Moon with DSLR and telescope

I also took a short movie (20 seconds, 500 frames) using the same settings, and stacked the result into a single image using Autostakkert. The result is a definite improvement (I tried the same trick with the camera-only shot, but in that case it made things worse).

Stacked image with DSLR and telescope

Here’s a side-by-side comparison of those three photos. The telescope is an improvement on the camera alone, but stacking is what really works the magic.

Comparison of Moon photos

As I said at the start, I normally use a small astronomical webcam to capture images, because it’s so easy to use. Optically this is identical to attaching the DSLR to the telescope (aperture 120 mm, focal length 1200mm with the 2x Barlow lens), but the field of view is much smaller because the sensor array is tiny (4.8 mm rather than 22.3 mm). For the same reason the image drifts across the screen more quickly (I don’t have a tracking mount), so I only have time to grab a 10-second video, or 300 frames at 30 fps. Nevertheless the results – such as the example at the top of this post – are impressive after stacking in Autostakkert.

Here is a side-by-side comparison of that picture with the same area seen in the single-frame DSLR+telescope and DSLR-alone images:

Comparison of Moon detail

For reference, my telescope is a Skywatcher Startravel-120 refractor on an equatorial mount, which cost me £389. There are plenty of other good telescopes available around this price. The webcam is a ZWO ASI120MC, which at around £170 is pretty much the cheapest astronomical camera on the market. Similarly my DSLR is from the bottom of the market – a Canon EOS 100D, which I got complete with two zoom lenses for just £379.

The ZWO camera came with two pieces of software – SharpCap for capturing videos and Autostakkert for stacking – but they’re both freely available online (here and here respectively). In the examples shown here, I used GIMP (also free) to crop, rotate and contrast-enhance the images.

Space-Age Nostalgia


Here are two items I bought in W. H. Smith’s recently. The first is a special (and very expensive) issue of the BBC Sky at Night magazine about the Apollo missions, and the second (a much better deal at the same price) is a repackaging of a 2008 Discovery Channel series about NASA spaceflights from Mercury to the Shuttle, together with another magazine. Presumably both items were put out for the Christmas gift market – mainly as a nostalgic treat for people of my generation, I guess, although it would be nice to think some youngsters are interested in the subject too.

I learned quite a lot from both items, particularly about the earlier and later missions. Although I was always interested in space, it was only in a vague, general way up until the Apollo 8 mission. That happened shortly after my 11th birthday, and it was the first one I really got drawn into – in the sense that I knew the astronauts’ names and avidly followed every little phase of the mission. This really intense awareness continued through Apollos 9, 10, 11, 12 and 13, but then started to get murky again after that point.

Not for the obvious reason, though. You might think, “well, of course, everyone lost interest in the later Apollo missions” – but that wasn’t it at all. I’ve got files of newspaper clippings I carefully cut out about Apollos 14 to 17, as well as Skylab and the Apollo-Soyuz test project. I’ve got some photos and fact sheets about Skylab that I sent off to NASA for (as well as another batch about Apollo from a few years earlier). But I never absorbed the huge amounts of information about those later missions that I did for Apollo 8-13 – for the simple reason that the information just wasn’t there to be absorbed.

In the early 70s Britain only had three TV channels, and they were all in the “general entertainment” category. There were no purely factual channels, no 24-hour news channels … and of course no internet. The TV gave blanket coverage to things like Apollo 8 and Apollo 11, but later missions had to compete for airtime with soap operas, sports, comedy shows and the like. Key space events were still covered – live – but they had a frustrating tendency to happen when you were at school, or otherwise indisposed. People didn’t have video recorders in those days.

So it’s an over-simplification to say that “everyone lost interest in the later Apollo missions”. It was the mainstream media that lost interest – and in the 1970s, that was the only kind of media there was. We’re so much luckier today!

Pseudoscience and Science Fiction


My most recent book was published by Springer a couple of months ago, although for some reason they’ve given it a copyright date of 2017. It’s called Pseudoscience and Science Fiction and it’s part of their ongoing Science and Fiction series. Aimed at “science buffs, scientists and science fiction fans”, the series encompasses both fiction and non-fiction, with the latter primarily looking at how “real” science is featured in science fiction.

But what about the pseudoscience in science fiction? I felt there was a gap in the market that needed to be filled, particularly given the numerous overlaps between pseudoscientific beliefs and popular SF tropes. I had great fun researching this, and Pseudoscience and Science Fiction is the result. Here is the publisher’s blurb (I had nothing to do with the last paragraph!):

Aliens, flying saucers, ESP, the Bermuda Triangle, antigravity … are we talking about science fiction or pseudoscience? Sometimes it is difficult to tell the difference.

Both pseudoscience and science fiction are creative endeavours that have little in common with academic science, beyond the superficial trappings of jargon and subject matter. The most obvious difference between the two is that pseudoscience is presented as fact, not fiction. Yet like SF, and unlike real science, pseudoscience is driven by a desire to please an audience – in this case, people who “want to believe”. This has led to significant cross-fertilization between the two disciplines. SF authors often draw on “real” pseudoscientific theories to add verisimilitude to their stories, while on other occasions pseudoscience takes its cue from SF – the symbiotic relationship between ufology and Hollywood being a prime example of this.

This engagingly written, well researched and richly illustrated text explores a wide range of intriguing similarities and differences between pseudoscience and the fictional science found in SF.

Pseudoscience and Science Fiction has its own page on the main website, but here are some Amazon links (the “look inside” preview is particularly generous, if you want to get a flavour of the content and style of the book):

Retro-Forteana

Books by Ron Goulart
Before setting up this new blog, I kept up a Blogger-hosted blog for over five years. I changed its name a couple of times, but eventually settled on Retro-Forteana.

This new blog isn’t meant to be a direct replacement for the old one (the posts will probably be shorter and less frequent) but there will be a lot of overlap in subject-matter. Here’s a selection of recent posts from the old blog that are the sort of thing I might post on this new one:

To see a full list of my 370+ Retro-Forteana posts, click here.

Hello world!

I’ve had this website since 2001, and it’s had the option of adding a WordPress blog for at least the last two years, but I’ve only just got round to doing it.

I did gain some experience with WordPress when I set up the CFZ Publishing blog for Jon Downes last year. One thing I learned is that WordPress is much more susceptible to spam comments than Blogger. For that reason I’m not going to enable comments here. If you have any feedback, please direct it to @DrAndrewMay on Twitter.