A couple of years ago I had fun researching my book on The Science of Sci-Fi Music. Now I’m working on another music-related writing project – and having yet more fun in the process. This one isn’t solely about electronic music, but that’s a large part of it, as you can see from the research material illustrated above. Most of the items depicted are obviously electronic music, but in a few cases the connection is more subtle. For example, the Xenakis CD consists purely of string quartets, although the first (and most famous) of them was composed with the aid of a computer – all the way back in 1962. Five years later, the Doors Strange Days album featured one of the first uses of a synthesizer in rock music. And the last three items in the bottom row, while not obviously “electronic music”, use so much technology in their production that they would have been inconceivable without it.
Incidentally, I don’t care that CDs have plummeted out of fashion with everyone else – I still enjoy having a physical trophy that I can put on a shelf (it’s the same with books and DVDs – my house is full of them). For info, the CDs illustrated here (about 4% of my entire collection) are: Edgard Varese Complete Works, Iannis Xenakis String Quartets, Karlheinz Stockhausen Kontakte, Milton Babbitt Philomel, The Doors Strange Days, Kraftwerk Autobahn, Isao Tomita Snowflakes Are Dancing, Brian Eno Discreet Music, The Art of Noise Who’s Afraid Of…, Pet Shop Boys Behaviour, The Prodigy Experience, William Orbit Pieces in a Modern Style, Bjork Homogenic, Kanye West My Beautiful Dark Twisted Fantasy, Jacob Collier Djesse volume 3, Grimes Miss Anthropocene.