Space Telescopes – book and Guardian article

Space telescopes book

I’m very pleased that yesterday’s Observer newspaper featured an article by me about space telescopes, which is now free to read – under the title Cosmic Time Machines – on the Guardian website. That’s one of the most prestigious mainstream news sites here in the UK, so hopefully I’ll reach a wider-than-usual audience with it.

The article ties in with my latest book, Eyes in the Sky, which was published last month by Icon Books. As with my previous books for them, it’s part of their “Hot Science” series – actually my 6th contribution to it. Here’s their blurb from the back cover of Eyes in the Sky:

Over 50 years ago, astronomers launched the world’s first orbiting telescope. This allowed them to gaze further into outer space and examine anything that appears in the sky above our heads, from comets and planets to galaxy clusters and stars. Since then, almost 100 space telescopes have been launched from Earth and are orbiting our planet, with 26 still active and relaying information back to us.

As a result of these space-based instruments, such as NASA’s iconic Hubble Space Telescope, we know much more about the universe than we did half a century ago. But why is Hubble, orbiting just 540 kilometres above the Earth, so much more effective than a ground-based telescope? How can a glorified camera tell us not only what distant objects look like, but their detailed chemical composition and three-dimensional structure as well?

In Eyes in the Sky, science writer Andrew May takes us on a journey into space to answer these questions and more. Looking at the development of revolutionary instruments, such as Hubble and the James Webb Space Telescope, May explores how such technology has helped us understand the evolution of the Universe.

Three More Cover Features

Three issues of How It Works magazine

In a previous post, I mentioned that I had three consecutive cover features in How It Works magazine between November 2021 and January 2022. I’ve just come close to repeating that feat, making the cover for three out of the four issues between June and September this year. As pictured above, the topics this time were near-Earth asteroids, gravity and the solar cycle. The first two are particular favourites of mine, having previously covered the asteroid threat in my book Cosmic Impact, while my PhD thesis was all about gravity and its effects on stellar orbits. Around 15 years after that, in the late 1990s, I had some peripheral involvement with BAE Systems’ “Project Greenglow” on the possibility of gravity control (or antigravity, if you like) – something I’ve written about on a number of occasions, for example in this blog post from 2015. As I said there, my link to the BAE project came through its leader, Ron Evans, who I’ve remained in touch with ever since. So I was really pleased when the magazine editor asked me to include something about “antigravity” in the How It Works feature, as it gave me the opportunity to include a brief Q&A with Ron as a sidebar at the end of the article.

New book: How Space Physics Really Works

How Space Physics Really Works

This is my fifth contribution to Springer’s “Science and Fiction” series, and in some ways my favourite so far, because it deals with a subgenre of SF that particularly appeals to me. The full title is How Space Physics Really Works: Lessons from Well-Constructed Science Fiction, and that really sums up what I’m talking about – SF stories that take the trouble to get their physics right. Here’s the blurb from the book’s back cover:

There is a huge gulf between the real physics of space travel and the way it is commonly portrayed in movies and TV shows. That’s not because space physics is difficult or obscure – most of the details were understood by the end of the 18th century – but because it can often be bafflingly counter-intuitive for a general audience. The purpose of this book isn’t to criticize or debunk popular sci-fi depictions, which can be very entertaining, but to focus on how space physics really works. This is done with the aid of numerous practical illustrations taken from the works of serious science fiction authors – from Jules Verne and Arthur C. Clarke to Larry Niven and Andy Weir – who have taken positive pleasure in getting their scientific facts right.

The book has just been published and is available from all good bookshops, as well as online retailers such as Amazon.com and Amazon UK (paperback: ISBN 978-3-031-33949-3, ebook: 978-3-031-33950-9).

New book out now – The Science of Music

The Science of Music

My 5th and latest contribution to the “Hot Science” series from Icon Books has just been published, The Science of Music: How Technology has Shaped the Evolution of an Artform. This is a book I’ve written about a couple of times previously (here and here) – but not to be confused with The Science of Sci-Fi Music, which is a completely different book that I wrote a few years ago!

Here is the publisher’s blurb for the new book:

How can music – an artform – have anything to do with science? Yet there are myriad ways in which the two are intertwined, from the basics of music theory and the design of instruments to hi-fi systems and how the brain processes music. Science writer Andrew May traces the surprising connections between science and music, from the theory of sound waves to the way musicians use mathematical algorithms to create music. The most obvious impact of science on music can be seen in the way electronic technology has revolutionised how we create, record and listen to music. Technology has also provided new insights into the effects that different music has on the brain, to the extent that some algorithms can now predict our reactions with uncanny accuracy, which raises a worrying question: how long will it be before AI can create music on a par with humans?

Astrobiology Illustrated Edition

Astrobiology book editions

Icon Books have just brought out a new edition of my Astrobiology book, originally published in their series of ‘Hot Science’ paperbacks. This is a double first for me – the first time any of my books has made it to a genuine ‘second edition’ (for the same market as the original, as opposed to translations for other markets) and my first ever hardback book. It looks really great – packed with informative graphics and colourful photographs. I had very little to do with this, which was all done by the book-packaging professionals at UniPress. My only input was to update the text in a few places and offer suggestions for some of the image captions.

The book shown in the above photo is the ‘British and Commonwealth’ edition published by Icon Books, which is out now – details here. I believe UniPress are also doing a separate North American edition, which should be out in May 2023.

Science of Music playlist

Science of Music videos

My new book The Science of Music will be published by Icon Books on 16 March 2023. I’ve already alluded to some of the musical works used as examples in the book (in this post from last year) and there’s a fuller “playlist” in the back of the book – running in chronological order from Mozart’s Dissonance Quartet and Beethoven’s Battle Symphony to Miss Anthropocene by Grimes and Djesse vol. 3 by Jacob Collier.

On a more self-indulgent note, I’ve created another short playlist on YouTube of compositions I wrote myself while trying to get my head round some of the techniques discussed in the book – particularly algorithmic (i.e. computer-assisted) composition and electronic music production using a DAW (Digital Audio Workstation). Here is a link to it:

More (electronic) music research

Electronic music CDs

A couple of years ago I had fun researching my book on The Science of Sci-Fi Music. Now I’m working on another music-related writing project – and having yet more fun in the process. This one isn’t solely about electronic music, but that’s a large part of it, as you can see from the research material illustrated above. Most of the items depicted are obviously electronic music, but in a few cases the connection is more subtle. For example, the Xenakis CD consists purely of string quartets, although the first (and most famous) of them was composed with the aid of a computer – all the way back in 1962. Five years later, the Doors Strange Days album featured one of the first uses of a synthesizer in rock music. And the last three items in the bottom row, while not obviously “electronic music”, use so much technology in their production that they would have been inconceivable without it.

Incidentally, I don’t care that CDs have plummeted out of fashion with everyone else – I still enjoy having a physical trophy that I can put on a shelf (it’s the same with books and DVDs – my house is full of them). For info, the CDs illustrated here (about 4% of my entire collection) are: Edgard Varese Complete Works, Iannis Xenakis String Quartets, Karlheinz Stockhausen Kontakte, Milton Babbitt Philomel, The Doors Strange Days, Kraftwerk Autobahn, Isao Tomita Snowflakes Are Dancing, Brian Eno Discreet Music, The Art of Noise Who’s Afraid Of…, Pet Shop Boys Behaviour, The Prodigy Experience, William Orbit Pieces in a Modern Style, Bjork Homogenic, Kanye West My Beautiful Dark Twisted Fantasy, Jacob Collier Djesse volume 3, Grimes Miss Anthropocene.

Three cover features in a row

How It Works magazine covers

I made the cover of How It Works magazine for the third month in a row! The above screenshot is from the publisher’s website where you can buy copies even if you missed them when they came out. As you can see, the subjects are pretty eclectic. November’s feature was all about UFOs, which is a longstanding interest of mine (the weirder aspects of the topic are covered in my book Pseudoscience and Science Fiction, although the magazine feature is focused on more mundane causes of unidentified aerial phenomena). Then my December piece was about the James Webb Space Telescope, currently on its way to explore the depths of the universe – an online version is available on the LiveScience website. Finally this month’s article is about the huge nuclear-fusion-producing laser at the National Ignition Facility in California – that one is online too.

Out now: The Space Business

The Space Business

This is my fourth contribution to the Hot Science series from Icon Books, and the first since Astrobiology just over two years ago. The full title is The Space Business: From Hotels in Orbit to Mining the Moon, How Private Enterprise is Transforming Space. That’s quite a mouthful, but at least it’s descriptive of the book’s contents.

My original idea was just to cover space tourism, but when I started writing the book a year ago this was quite a thin subject, so the scope was expanded to cover other commercial uses of space as well. But with the first crewed flight of Blue Origin’s suborbital rocket and the first all-tourist flight of SpaceX’s Crew Dragon both happening earlier this year, space tourism now looks like its time has finally come. Just in time for the publication of my book!

Needless to say, it’s available from all the usual book retailers and online sellers (ISBN 9781785787454, RRP £8.99). Here’s the publisher’s blurb from the back cover:

Twentieth-century space exploration may have belonged to state-funded giants such as NASA, but the future is shaping up a little differently. Now the biggest dreams and most ambitious schemes belong to private companies and individuals. Dreams like suborbital rocket flights for paying customers, holidays in an inflatable hotel in Earth orbit, or, eventually, passenger trips to Mars. Schemes like fulfilling all Earth’s energy needs through solar power harvested in space, or nuclear fusion using helium-3 mined on the Moon. It sounds like science fiction, but with entrepreneurs like Elon Musk and Jeff Bezos transforming the economics of space through their profit-oriented outlook and technology like reusable rockets, some or all of these endeavours could well become reality.

Science writer Andrew May takes an entertaining look at the biggest, brightest and in some cases the most hare-brained ideas emerging from the private space sector, assessing which stand a chance of making it off the launch pad and explaining how we can all benefit.

Now available as audiobooks

Andrew May's audiobooks

Although I’ve been writing books for almost ten years now, until the end of last year none of them had been issued in audiobook form. Now all of a sudden four of them have!

The titles available are Pseudoscience and Science Fiction, Rockets and Ray Guns and Fake Physics, all from Springer’s “Science and Fiction” series, as well as Cosmic Impact from the Icon Books “Hot Science” series. They’re all read very professionally – interestingly enough, all by different narrators.

They’re available from Amazon, or direct from the Audible website.